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monochrom: Flatten the road holes with caviar

Flatten the road holes with caviar:
Pleasure, irony and a deeper insight into the social forces: Kinder Surprise Monochrom

With the art group Monochrom – Austrian plural version of the enfant terrible – one can distantly connect the similarly outrageous actions of the notorious artist Günter Brus, who with performing vulgar actions while singing national hymn in front of the middle class audience of Vienna University got himself arrested.
Monochrom are in their performances, happenings, exhibitions, fanzines just as subversive and radical, although they claim that in the current society of control (by Deleuze) vulgar extremes are not shocking anymore, because the revolution against the governing classes is not possible as the control mechanism already exists within us. Brus has lived in Foucault's disciplinary society and ended up in prison, while Monochrom with comparable project, in which they publicly donate blood, process it in sausages and sell it to passers-by for 5 €, doesn’t even enter the newspapers.
They succeed far better by pointing out the painful, hidden and unreflected Austrian Nazism with some courage of radical art intervention: placing a soldier in the Nazi uniform inside a stall on the main street of Vienna with whom the citizens could shook hands, tap his shoulder, hug, stroke, in short "embrace" their Nazi past. Reinforcing this strong element in the Austrian collective unconscious could cause a violent reaction (Der Streichelnazi / Nazi Petting Zoo, 2008).
Technological and philosophical art group Monochrom with its eight members operates since 1993 and has its residence in Museumsquartier, the heart of Vienna's popular artistic district and attractive tourist location. As they say, they always like to transfer the particles from one reality to another, where they stand outside its context as bizarre, humorous, obtain a new meaning or become white spots.
Monochrom thoughtfully and scrupulously points to subtle exploitation of humans in a system that seemingly provides all: work, goals, rewards, lifestyle. It takes the burden of sacral, sublime and beautiful away from art and places it in the reach of us all, being creative beings. Therefore they collect office art, scribbled by office workers of the world during telephone conversations and gain surprising results.
Their actions are often underlined with philosophical and theoretical background and subtle humanism below the irony and deliberately offensive poking that gives away their liberalism. At the same time they put up a changing, distorted mirror of the world we live in. Their wide and fragmented list of works is united by their ideas that are at their core highly intellectual and ideological.
But their most striking quality in relation to their serious and competent artistic stand is certainly rare: the Monochrom gives you the feeling of having immense and insolent fun while making art.

The Gap rezensiert "monochrom's ISS" DVD

Beschweren tun sich die vier Hauptdarsteller in der von der Künstlergruppe Monochrom (Ö/D) inszenierten elfteiligen Sitcom "ISS" aber ausgiebig. Etwa, wenn der in der New Economy mit Ego-Shootern reich gewordene neuseeländische Weltraum-Tourist Angus Slernotzki heimlich am Klo onaniert und das Sperma im Raum herumflirrt - zum Unbehagen der kanadischen Mit-Raumfahrerin Claire Saint-Jacques. Dann gibt es noch einen herrlich blöden texanischen Redneck, Captain Ulysses Van Hundsbak. Der versumpft lieber in Ignoranz und Selbstverherrlichung, anstatt Ordnung auf seiner Raumstation zu schaffen. Klischeebilder einer russisch-amerikanischen Hassliebe malt er gemeinsam mit dem Kollegen Fjodor Golenko. Die Witze sind oft gut, in dem Durcheinander an Wortmeldungen gehen die besten Pointen aber leider verloren. Das hängt mit der Machart von ISS zusammen: die Sitcom ist improvisiert und live aufgezeichnet. Etwas mehr Struktur hätte der hirnrissig-amüsanten Space-Odyssee nicht geschadet.

Sierra Zulu Kickstarter: Pressespiegel

Kurier Kult: "Crowdfunding für Unterzögersdorf"

Telepolis: "Monochrom will Science-Fiction-Komödie über Crowdfunding finanzieren"

Futurezone: "Filmdreh: Monochrom setzt auf Kickstarter"

APA OTS: "SIERRA ZULU: Sowjets bitten das Internet um Geld"

Salzburger Nachrichten: "Unsichtbare Verbrechen"

Laughing Squid: "Sierra Zulu, A Feature Length Political Sci-fi Dark Comedy by Monochrom"

Boing Boing: "Mutant political science fiction movie Sierra Zulu seeks kickstarting"

io9: "A Totally Demented Alternate History of a 21st Century Soviet Holdout"

Nerdcore: "Sierra Zulu: Crowdfunded SciFi-Grotesque from Austria"

Betatext: "Crowdfunding für Unterzögersdorf"

GigaOM: "Soviets, swords, comics and booze"

Libération: "Jeu des sous aux soviets zoulous"

io9: "Crowdfund a film about the last Soviet microstate, a video game about an intern on the moon, and a post-apocalyptic TV series"

Écrans: "Jeu des sous aux soviets zoulous"

Giant Freakin Robot: "Sierra Zulu Sci-Fi/Comedy Kickstarter Cast Includes Robert Picardo And Amber Benson"

Social Film Marketing: "monochrom's Sierra Zulu erzielt grandiosen Crowdfunding-Erfolg"

The Gap: "Sierra Zulu bei Kickstarter erfolgreich"

Futurezone: "Sierra Zulu: Kickstarter-Film erfolgreich"

Der Standard: "Spielfilm "Sierra Zulu" mit Crowdfunding finanziert"

Update, additional links:

Ö1: "Crowdfunding: Kunstsponsoring im Netz"

film.at: "Sierra Zulu"

The Gap: "Die Crowd auf Knopfdruck aktivieren"

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