Memory and the Movies: Article by James Bowman. Intro: "There are at least two good reasons why Hollywood is so fond of movies about memory loss. One is that the movies are always and inevitably tempted by voyeurism, and exotic illnesses or injuries, including psychological ones, promise voyeuristic thrills aplenty. The other reason has to do with visual paradox. The movies are supremely realistic-surrealistic, you might almost say-in their capacity to look more like life than life does. Human life is always writ large on the big screen. But life as most of us experience it depends utterly on knowing who and where we are on earth, on placing ourselves in relation to the rest of the world. The central task of the mise en scène is to place people in some context. But what if the people themselves don’t recognize their context? This is interesting to moviegoers who know what the characters don’t, which is the case in most such movies, or moviegoers who have to figure out the context just as the characters do, as in Memento or Mulholland Drive." Link
monochrom is an art-technology-philosophy group having its seat in Vienna and Zeta Draconis. monochrom is an unpeculiar mixture of proto-aesthetic fringe work, pop attitude, subcultural science, context hacking and political activism. Our mission is conducted everywhere, but first and foremost in culture-archeological digs into the seats (and pockets) of ideology and entertainment. monochrom has existed in this (and almost every other) form since 1993. [more]
