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Chinese Ghost Stories: An introduction by Daniel O'Brien. Quote: "Welcome to the strange and wonderful world of Hong Kong horror movies, filled to bursting with flying ghosts, hopping vampires, seductive spirits, tree demons, evil sorcerers, living skeletons, possessed limbs and giant predatory tongues. Tsui Hark’s A Chinese Ghost Story in 1987 gave many Western viewers their first taste of supernatural thrills — Oriental style — yet the film was a comparatively late entry in a well-established genre. From Sammo Hung’s ground-breaking Spooky Encounters to King Hu’s valedictory Painted Skin, the 1980s Hong Kong ghost film cycle produced a stylish and distinctive body of work that compares with the best of Universal and Hammer."
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posted by johannes, Monday, August 09, 2004

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monochrom is an art-technology-philosophy group having its seat in Vienna and Zeta Draconis. monochrom is an unpeculiar mixture of proto-aesthetic fringe work, pop attitude, subcultural science, context hacking and political activism. Our mission is conducted everywhere, but first and foremost in culture-archeological digs into the seats (and pockets) of ideology and entertainment. monochrom has existed in this (and almost every other) form since 1993.
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