Slavery isn't dead, writes Robtel Neajai Pailey. Its modern-day variant is just found on a different kind of plantation.
Emmanuel B is 30, a slender five foot three, and a labourer whose piercing brown eyes tell unspeakable truths. He's not the kind of slave-labourer we're familiar with from 19th-century plantations in the Deep South of the United States. Instead, Emmanuel is a modern-day plantation labourer in 21st-century, post-conflict Liberia, and the Firestone Tire and Rubber Company is his unyielding master. Like many workers on Firestone’s largest rubber plantation, Emmanuel was born in Harbel, has lived in Harbel all his life, and will most likely waste away in Harbel.
As westerners drive around in their heavy-duty SUVs, propelled along on the black gold of Firestone tires, Emmanuel wakes up at the crack of dawn to tap raw latex from 800 rubber trees daily. His clothes are tattered and his shoulders covered in red puss-infected blisters from carrying buckets full of raw latex suspended from an iron pole to the Firestone processing plant two miles from his tapping site.
Emmanuel was gracious enough to demonstrate what a tapper does from sun-up to midmorning. With a pitchfork suspended in the air, he extended his long wiry arms to ease the raw latex out of the trees and into the small red cups that catch it. The drip-drip-drip of the whitecoated liquid was almost as laborious to witness as Emmanuel's daily task – another 799 trees still to go after this one. For Emmanuel and his fellow tappers, a 5am start is the only means of meeting their daily quotas; their wages are reduced by half if they fail to do so. Some have begun to use their children to complete the Herculean task. [...]
monochrom is an art-technology-philosophy group having its seat in Vienna and Zeta Draconis. monochrom is an unpeculiar mixture of proto-aesthetic fringe work, pop attitude, subcultural science, context hacking and political activism. Our mission is conducted everywhere, but first and foremost in culture-archeological digs into the seats (and pockets) of ideology and entertainment. monochrom has existed in this (and almost every other) form since 1993. [more]