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Tragic Extremes: Nietzsche and the Politics of Security 
Essay by Wolfgang Sützl.
Shortly after the 9/11 attacks, Giorgio Agamben published an article that took issue with security as the "basic principle" of state politics. Referring to Foucault, Agamben contrasted security and disciplinary power, describing security as a characteristic of liberalism: "Measures of security can only function within a context of freedom of traffic, trade and individual initiative." He further argued that through the "progressive surrender of traditional tasks of the state, security imposes itself as the basic principle of state activity" becoming the "sole criterion of political legitimation." Further, Agamben argued that "a state which has security as its only task and source of legitimacy is a fragile organism; it can always be provoked by terrorism to turn itself terroristic." The progressive erosion of civic rights that occurs when "security imposes itself" indicates a deep-layered incompatibility between democratic legitimacy and security. To this end, Agamben called for a "revision of the concept of security" as a project of immediate importance.

This article is an attempt to contribute to such a revision by discussing security in terms of the concept of tragedy. There are two reasons why this is useful. The first is the apparently inescapable, "fateful" character of security, that which imposes itself as a final instance of authority, knows no appeal, and delivers no explanations that would not be self-identical. Security knows no radical "other" and therefore, in a tragic turn, security can only be "secured" by insecurity, i.e. its self-affirmation is identical with its self-negation. Secondly, if this is the case, critical statements concerning security are then also in danger of becoming identical with their object. The tragic, then, offers itself as perhaps the only remaining "methodology" of a revision to the concept of security.

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monochrom is an art-technology-philosophy group having its seat in Vienna and Zeta Draconis. monochrom is an unpeculiar mixture of proto-aesthetic fringe work, pop attitude, subcultural science, context hacking and political activism. Our mission is conducted everywhere, but first and foremost in culture-archeological digs into the seats (and pockets) of ideology and entertainment. monochrom has existed in this (and almost every other) form since 1993.
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