John Rosenthal reviews "Der Mufti von Jerusalem und die Nationalsozialisten" by Klaus Gensicke.
Germany stands for an uncompromising struggle against the Jews. It is self-evident that the struggle against the Jewish national homeland in Palestine forms part of this struggle, since such a national homeland would be nothing other than a political base for the destructive influence of Jewish interests. Germany also knows that the claim that Jewry plays the role of an economic pioneer in Palestine is a lie. Only the Arabs work there, not the Jews. Germany is determined to call on the European nations one by one to solve the Jewish problem and, at the proper moment, to address the same appeal to non-European peoples.
—Adolf Hitler to Haj Amin Al-Husseini, mufti of Jerusalem, November 28, 1941
The persistence of widespread Judeophobia in the Muslim world is hardly a matter of dispute, even if many commentators are inclined to dismiss it as merely an "understandable" reaction to Israeli "oppression." Among those who take the phenomenon seriously, however, a debate has been taking place of late about its origins. The debate has been spurred on, notably, by the publication in English translation of the German political scientist Matthias Küntzel's book Jihad and Jew-Hatred: Islamism, Nazism and the Roots of 9/11. The central thesis of Küntzel's book is that anti-Semitism — or, more precisely, modern anti-Semitism as crystallized in the "Jewish world conspiracy" theory — was largely imported into the Muslim world from Nazi Germany.
monochrom is an art-technology-philosophy group having its seat in Vienna and Zeta Draconis. monochrom is an unpeculiar mixture of proto-aesthetic fringe work, pop attitude, subcultural science, context hacking and political activism. Our mission is conducted everywhere, but first and foremost in culture-archeological digs into the seats (and pockets) of ideology and entertainment. monochrom has existed in this (and almost every other) form since 1993. [more]