Much has been said about the reception of Walt Disney Incorporated's 1993 film Aladdin by Arab-American groups in the United States. However, little has been written concerning the reception of the film in other parts of the world, especially in those nations with significant Muslim populations. Although an investigation into the reception of the film in the Islamic nations of the Middle East seems obvious and appropriate, there are other parts of the world with significant Muslim populations that deserve our attention. This paper, then, is a study of the controversy surrounding the distribution and exhibition of Aladdin in the nations of Southeast Asia with large Muslim populations. These nations include Indonesia (with the largest Muslim population in the world), Brunei, and Malaysia, all of which are predominantly Muslim, and Singapore, in which Muslims constitute a significant minority. Although in the United States the issue may be regarded as primarily one concerning freedom of expression, in other parts of the world the issue is not seen as quite so simple.