Barack Obama was sworn in on 20 January with a historic mandate for change. Extraordinary times call for bold actions and visionary ideas. Big government is back. Hopes are for an administration that is not only more progressive, but also smarter.
This could be good news for the arts—as long as they can build a convincing case that they serve the public interest. Long banished to the periphery of public affairs, arts policy is poised to make a comeback under various 21st-century guises: from economic stimulus programmes to "soft diplomacy" initiatives to digital-age intellectual property regulation. The opportunity to rethink government's role comes at a time when it is readily acknowledged among arts professionals that cultural support in America is outdated in its assumptions, sclerotic in its methods, biased in its outcomes, and inefficient in its use of philanthropic and taxpayer dollars. It's time to move on. But where?
monochrom is an art-technology-philosophy group having its seat in Vienna and Zeta Draconis. monochrom is an unpeculiar mixture of proto-aesthetic fringe work, pop attitude, subcultural science, context hacking and political activism. Our mission is conducted everywhere, but first and foremost in culture-archeological digs into the seats (and pockets) of ideology and entertainment. monochrom has existed in this (and almost every other) form since 1993. [more]
