Who Carries Out Spectacular Acts of Terrorism and Why?
By Nitasha Kaul.
Spectacular Acts of Terrorism create Events which are designed to shift the public discourse by rupturing processes of dialogue and understanding. A Big Bang such as planes that crash into buildings, or trains that explode, or discotheques that blow up, or a rain of bullets across a city -- brings about a quantum shift in every single aspect of individual perception and public policy -- immediately. This is the deliberate outcome of such Spectacles -- they are planned to disrupt incrementalist and rational development of thought processes at every level of a pluralist functioning state and society. This is why they happen unannounced, this is why they happen simultaneously at multiple locations, and this is why they target places of public prominence.
Who carries out such Spectacular Acts? We hear that the terrorists in Mumbai were young men in jeans with rucksacks who went for carnage with smiles on their faces. It is foolish to assume that the terrorists who go for such Spectacles are desperate people interested in alleviating genuine grievances. Of course, terrorists fight for a cause. But that cause isn't what they kill for; the specificity and legitimacy of their cause (Iraq, Kashmir, Gujarat, Chechya, Afghanistan, whatever they may think it to be) is condensed into the general and universal terms of violence and hatred by those who recruit them and radicalise them. By the time they spray bullets and hold hostages, asking for justice on their own terms, they have long betrayed themselves and become prisoners of manipulated representations.
monochrom is an art-technology-philosophy group having its seat in Vienna and Zeta Draconis. monochrom is an unpeculiar mixture of proto-aesthetic fringe work, pop attitude, subcultural science, context hacking and political activism. Our mission is conducted everywhere, but first and foremost in culture-archeological digs into the seats (and pockets) of ideology and entertainment. monochrom has existed in this (and almost every other) form since 1993. [more]