1984 thoughtcrime? Does it matter that George Orwell pinched the plot?
This is a description of George Orwell's Nineteen Eighty-Four, which was first published 60 years ago on Monday. But it is also the plot of Yevgeny Zamyatin's We, a Russian novel originally published in English in 1924.
Orwell's novel is consistently acclaimed as one of the finest of the last 100 years – two years ago Guardian readers voted it the 20th century's "definitive" book – and it remains a consistent bestseller. Should it alter our respect for it that Orwell borrowed much of his plot, the outlines of three of his central figures, and the progress of the book's dramatic arc from an earlier work?
Orwell reviewed We for Tribune in 1946, three years before he published Nineteen Eighty-Four. In his review, he called Zamyatin's book an influence on Aldous Huxley's Brave New World, though Huxley always denied anything of the sort. "It is in effect a study of the Machine," Orwell wrote of We, "the genie that man has thoughtlessly let out of its bottle and cannot put back again. This is a book to look out for when an English version appears." He seems to have taken his own advice.
monochrom is an art-technology-philosophy group having its seat in Vienna and Zeta Draconis. monochrom is an unpeculiar mixture of proto-aesthetic fringe work, pop attitude, subcultural science, context hacking and political activism. Our mission is conducted everywhere, but first and foremost in culture-archeological digs into the seats (and pockets) of ideology and entertainment. monochrom has existed in this (and almost every other) form since 1993. [more]