Hiroshima Day: America Has Been Asleep at the Wheel for 64 Years
It was a hot August day in Detroit. I was standing on a street corner downtown, looking at the front page of The Detroit News in a news rack. I remember a streetcar rattling by on the tracks as I read the headline: A single American bomb had destroyed a Japanese city. My first thought was that I knew exactly what that bomb was. It was the U-235 bomb we had discussed in school and written papers about, the previous fall.
I thought: "We got it first. And we used it. On a city."
I had a sense of dread, a feeling that something very ominous for humanity had just happened. A feeling, new to me as an American, at 14, that my country might have made a terrible mistake. I was glad when the war ended nine days later, but it didn't make me think that my first reaction on Aug. 6 was wrong.
Unlike nearly everyone else outside the Manhattan Project, my first awareness of the challenges of the nuclear era had occurred—and my attitudes toward the advent of nuclear weaponry had formed—some nine months earlier than those headlines, and in a crucially different context.
monochrom is an art-technology-philosophy group having its seat in Vienna and Zeta Draconis. monochrom is an unpeculiar mixture of proto-aesthetic fringe work, pop attitude, subcultural science, context hacking and political activism. Our mission is conducted everywhere, but first and foremost in culture-archeological digs into the seats (and pockets) of ideology and entertainment. monochrom has existed in this (and almost every other) form since 1993. [more]