The number zero as we know it arrived in the West circa 1200, most famously delivered by Italian mathematician Fibonacci (aka Leonardo of Pisa), who brought it, along with the rest of the Arabic numerals, back from his travels to north Africa. But the history of zero, both as a concept and a number, stretches far deeper into history—so deep, in fact, that its provenance is difficult to nail down.
"There are at least two discoveries, or inventions, of zero," says Charles Seife, author of Zero: The Biography of a Dangerous Idea (Viking, 2000). "The one that we got the zero from came from the Fertile Crescent." It first came to be between 400 and 300 B.C. in Babylon, Seife says, before developing in India, wending its way through northern Africa and, in Fibonacci's hands, crossing into Europe via Italy.
Initially, zero functioned as a mere placeholder—a way to tell 1 from 10 from 100, to give an example using Arabic numerals. "That's not a full zero," Seife says. "A full zero is a number on its own; it's the average of –1 and 1."
monochrom is an art-technology-philosophy group having its seat in Vienna and Zeta Draconis. monochrom is an unpeculiar mixture of proto-aesthetic fringe work, pop attitude, subcultural science, context hacking and political activism. Our mission is conducted everywhere, but first and foremost in culture-archeological digs into the seats (and pockets) of ideology and entertainment. monochrom has existed in this (and almost every other) form since 1993. [more]