Scottish SF author Iain Banks created a fictitious group-civilisation called "Culture" in his eponymous narrative. The vast majority of humanoid people in the "Culture" are born with greatly altered glands housed within their central nervous systems, who secrete - on command - mood- and sensory-appreciation-altering compounds into the person's bloodstream. Additionally many inhabitants have subtly altered reproductive organs - and control over the associated nerves - to enhance sexual pleasure. Ovulation is at will in the female, and a fetus up to a certain stage may be re-absorbed, aborted, or held at a static point in its development; again, as willed. Also, a viral change from one sex into the other, is possible. And there is a convention that each person should give birth to one child in their lives. It may sound strange, but Banks states that a society in which it is so easy to change sex will rapidly find out if it is treating one gender better than the other. Pressure for change within society would presumably build up until some form of sexual equality and hence numerical parity will be established.
Does this set-up sound too futuristic? Too utopian? Too bizarre?

We may not forget that mankind is a sexual and tool-using species. And that's why our annual conference Arse Elektronika deals with sex, technology and the future. As bio-hacking, sexually enhanced bodies, genetic utopias and plethora of gender have long been the focus of literature, science fiction and, increasingly, pornography, this year will see us explore the possibilities that fictional and authentic bodies have to offer. Our world is already way more bizarre than our ancestors could have ever imagined. But it may not be bizarre enough. "Bizarre enough for what?" -- you might ask. Bizarre enough to subvert the heterosexist matrix that is underlying our world and that we should hack and overcome for some quite pressing reasons within the next century.
Don't you think, replicants?

Festival Schedule:

October 1: Film festival(*), opening ceremony and Prixxx Arse Elektronika(*) Gala
October 2: Literature, fiction, reading
October 3: Talks and discourse
October 4: DIY workshops

(*) Separate calls will be out shortly.

In a recent review of evolutionary theories concerning the possible adaptive function of dreaming, Barrett shrugs off the better-known psychoanalytic theories of dreams (for example, Freud's "wish fulfillment" and Jungian archetypes) as being irreconcilable with a Darwinian framework and instead highlights the major contemporary, biologically informed theories. Remember, the key question for us to consider is why dreaming occurs at all, since it's not immediately apparent why natural selection wouldn't have simply engineered a dreamless, non-REM sleep.

January 2009: In a reflexive public gesture, the U.S.'s first African-American President-elect, the ectomorphic Barack Obama, retraced Abraham Lincoln's Second Inaugural train route (1865) to the capitol, two hundred years after the birth of the similarly ectomorphic Lincoln. In another reflexive echo of a turbulent past, as the bloated and behemoth U.S. economy wobbled, cold-turkey, in withdrawal from its macro-economic drugs of choice, easy credit and unbridled consumption, Obama faced a dire economic and social configuration similar to that which confronted Franklin Roosevelt in March of 1933. Hemorrhaging jobs, personal and institutional debt while spewing endemic mortgages defaults, the U.S. faced its most severe legitimacy crisis since the late 1960s.

As a marker that the past sins of slavery and segregation could be jettisoned in favor of meritocratic ascension, there could be no better legitimation symbol than Barack Obama. Articulate, attractive, with an understated ironic tone, and often frank in discussing personal failings, Obama simultaneously signified the ultimate success of a new African-American class of elites while buttressing faltering cross-ethnic, cross-racial and cross-generational allegiances to the tattered tenets of the American Dream. Exemplified by street artist Shepard Fairey's red, white and blue iconic poster of Obama's upturned visage, the human heart's desire for "Hope" (often embodied in ideological allegiances) became thoroughly conflated, through Fairey's composition, with Obama's message and image. Fairey's widely reproduced icon was a masterful and thoroughly intentional gesture in the aesthetics of politics, praised both by the original Associated Press photographer, and by Obama, himself.

Yet what has happened to Fairey, in the wake of this representational triumph, may be instructive. Two weeks after the Obama inauguration, Fairey was simultaneously threatened with a lawsuit by the Associated Press (which claimed a violation of their Intellectual Property rights) over how he appropriated some elements of a 2006 AP photo, just as he was arrested on graffiti charges, in Boston, on the opening night of his first major formal exhibit ("Supply and Demand") at the Institute of Contemporary Art. The AP's legal threat, Fairey's simultaneous arrest (combined with the non-starter drug-use revelations in Obama's autobiographical Dreams From My Father and the likely and significant reduction in the U.S.'s broad and expensive incarceration of non-violent drug users) arguably signifies a transition in the objects of Prohibition, as the portion of the generation-long War on Drugs that has targeted recreational users ratchets down. This downshift occurs just as the Baby Boomers retire, en masse, accessing expensive entitlements, and as state governments find that they can no longer afford to house, feed, clothe and provide Federally-mandated medical services for aging inmates, many who were given long prison sentences for non-violent drug offenses.

It's the end of an era. Things will never be the same again. The age of neoliberalism is dead. How many times have we heard those pat phrases these past 18 months or so as what started as a little local difficulty in the US housing market developed into the biggest financial crisis since the Great Depression. There are certainly good reasons for the left to believe that the tide has at last turned after three decades in which the right has been in the ascendancy. As Paul Mason illustrates in this excellent account of the humbling of the former masters of the universe, the crash was the consequence of 'giant hubris and the untrammelled power of a financial elite'.

The events of 2007-09 have been big finance’s equivalent of the British labour movement's 'winter of discontent' 30 years previously. Public disgust at the excesses and incompetence of the bankers has meant there has rarely been a better time for a radical shift leftwards in politics. But it is one thing saying the conditions are ripe for change, another thing altogether bringing that change about.

Think about it for a second. Ever since the crisis began, the prime aim of governments – most notably Gordon Brown’s – has been to put the genie back in the bottle. There is nothing the prime minister would like more than to return to life as it was in June 2007, when, on the eve of moving into 10 Downing Street, he used his Mansion House speech to praise the 'ingenuity and creativity' of the City, contrasting Britain's light-touch regulation with the heavy-handed approach favoured by the Americans.

As a result, the government went to extraordinary lengths to avoid nationalising Northern Rock and has taken other parts of the financial sector into part or full state ownership only with extreme reluctance. It is even ploughing on with the deeply unpopular part-privatisation of the Royal Mail.

Martin Kaltenbrunner is a Human Computer Interaction Designer, currently finalizing his Ph.D. at the Pompeu Fabra University in Barcelona, Spain. Recently he has been mainly working on the interaction design of the reacTable - a tangible modular synthesizer based on a multi-touch surface. He is author of the open source tangible interaction framework reacTIVision and the related TUIO protocol, which has been widely adopted for open source multi-touch applications. He is co-founder of reactable systems SL, dedicated to the development of novel HCI concepts and products, while he is teaching classes and workshops on tangible interaction at the Kunstuniversität Linz and at the UCP Porto.

http://modin.yuri.at/

reacTIVision is an open source, cross-platform computer vision tool for the fast and robust tracking of fiducial markers attached onto physical objects, as well as for multi-touch finger tracking.

http://reactivision.sourceforge.net/

TUIO is an open framework that defines a common protocol and API for tangible multi-touch surfaces. The TUIO protocol allows the transmission of an abstract description of interactive surfaces, including touch events and tangible object states. There exists a growing number of TUIO enabled tracker applications and TUIO client libraries for various programming environments, as well as applications that support the protocol. This combination of TUIO trackers, protocol and client implementations allows the rapid development of table based tangible multitouch interfaces.

http://www.tuio.org/

The reactable is a collaborative electronic music instrument with a tabletop tangible multi-touch interface. Several simultaneous performers share complete control over the instrument by moving and rotating physical objects on a luminous round table surface. By moving and relating these objects, representing components of a classic modular synthesizer, users can create complex and dynamic sonic topologies, with generators, filters and modulators, in a kind of tangible modular synthesizer or graspable flow-controlled programming language.

The instrument has been developed by a team of digital luthiers, the two Austrian researchers Martin Kaltenbrunner and Günter Geiger and their Spanish colleagues Marcos Alonso and Sergi Jord, working at the Music Technology Group within the Pompeu Fabra University in Barcelona. This multidisciplinary team of researchers, musicians and designers  has been awarded with various international prizes such as the Prix Ars Electronica Golden Nica, two D&AD Yellow Pencils and the prize if the city of Barcelona.

After its overwhelming success on Youtube and since the Icelandic singer Björk has incorporated the instrument during her last Volta world tour, the reacTable has become widely known to the general public.

http://www.reactable.com/

Tools of mass communication that were once the province of governments and corporations now fit in your pocket. Cell phones can capture video and send it wirelessly to the Internet. People can send eyewitness accounts, photos and videos, with a few keystrokes, to thousands or even millions via social networking sites. As these technologies have developed, so too has the ability to monitor, filter, censor and block them.

A Wall Street Journal report this week claimed that the "Iranian regime has developed, with the assistance of European telecommunications companies, one of the world’s most sophisticated mechanisms for controlling and censoring the Internet, allowing it to examine the content of individual online communications on a massive scale." The article named Nokia Siemens Networks as the provider of equipment capable of "deep packet inspection." DPI, according to the Electronic Privacy Information Center, "enables Internet Service Providers to intercept virtually all of their customers’ Internet activity, including Web surfing data, e-mail and peer-to-peer downloads."

Nokia Siemens has refuted the allegation, saying in a press release that the company "has provided Lawful Intercept capability solely for the monitoring of local voice calls in Iran." It is this issue, of what is legal, that must be addressed. "Lawful intercept" means that people can be monitored, located and censored. Global standards need to be adopted that protect the freedom to communicate, to dissent.

The complex and difficult problem of causality is central to our understanding of nutrition research. A cause is defined as "that factor which is possible or convenient for us to alter in order to produce or prevent an effect. This concept contains two components: production of an effect and an understanding of its mechanisms." To understand current concepts of causality, it is helpful to briefly review historical thinking about it. Aristotle believed that bodies in motion required constant force (efficient cause) to keep them moving, that the seed contained the adult (teleological cause). After more than 2,000 years, Newton overturned Aristotle in physics with the concept of inertia. Hume further advanced our understanding by postulating that our notion of causality depends on well-documented associations. Partially correct, Kant believed the mind (brain) imposes notions of time, extension, and causality on nature.

This is what the Greeks called 'glory,' and it expresses a very different understanding of immortality than is common amongst us. One lives on only through the stories, accounts and anecdotes that are told about one. It is in this that happiness consists. This has a very peculiar consequence for societies like the United States, so singlemindedly devoted to the pursuit of happiness. We assume that the question of happiness is a question of my happiness or, more properly, of my relation to my happiness. But why?

The exhibition "Common History and Its Private Stories. Geschichte und Geschichten" is an attempt to honour the twentieth anniversary of the fall of the Berlin Wall not so much as the main event of recent European history but as an event with massive implications; an event, which triggered a succession of political and global events that are defining our lives in the last 20 years. [...] Due to the strong increase in dialogue and cooperation in the world of politics, business, art and culture, it has become necessary to readjust and fine-tune our attitude towards everything that is different. National and international aspects have been increasingly intermingled, public entities have been privatised – all these aspects have shaped the recent common history in Europe and beyond.

With works a.o. by: Hildegard Absalon, Armin Bardel, Sabine Bitter & Helmut Weber, Luchezar Boyadjiev, Libia Castro & Olafur Olafsson, Josef Dabernig, Heinrich Dunst, Anita Fricek, Marianne Greber, Matthias Herrmann, Christine Hohenbüchler, Robert Jelinek, Anna Jermolaewa, Ulrike Johannsen, David Jourdan, Dejan Kaludjerovic, Johanna Kandl, Martin Kitzler, Oleg Kulik, Marko Lulic, Ken Lum, Anna Meyer, Michail Michailov, monochrom, Muntean / Rosenblum, Lisl Ponger, Andreas Reiter Raabe, Peter Sandbichler, Kamen Stoyanov, Katharina Struber, Martina Stuffer, Magda Tothova, Borjana Ventzislavova, Gernot Wieland, Alexandra Zaitseva...

On Aug. 10, 1996, a single power line in western Oregon brushed a tree and shorted out, triggering a massive cascade of power outages that spread across the western United States. Frantic engineers watched helplessly as the crisis unfolded, leaving nearly 10 million people without electricity. Even after power was restored, they were unable to explain adequately why it had happened, or how they could prevent a similar cascade from happening again - which it did, in the Northeast on Aug. 14, 2003.

Over the past year we have experienced something similar in the financial system: a dramatic and unpredictable cascade of events that has produced the economic equivalent of a global blackout. As governments struggle to fix the crisis, experts have weighed in on the causes of the meltdown, from excess leverage, to lax oversight, to the way executives are paid.

Although these explanations can help account for how individual banks, insurers, and so on got themselves into trouble, they gloss over a larger question: how these institutions collectively managed to put trillions of dollars at risk without being detected. Ultimately, therefore, they fail to address the all-important issue of what can be done to avoid a repeat disaster.

Economic cataclysms such as the Great Depression or today's ongoing collapse of global finance destroy commonly held understandings of political and economic reality. That is one reason why we call them cataclysms; such events occur precisely because no one with the power to do anything about them saw them coming. Icebergs spotted in time do not, after all, sink ships. But once the conventional wisdom has joined prosperity and confidence in the wreckage on the ocean floor of the global economy, we begin to hear of 'the' explanations for what happened. Such proclamations mark the times as surely as collapsed Ponzi schemes, falling governments, ruined banks and suicides among the former nouveaux riches. Thus, in the aftermath of the Depression, there emanated from various quarters announcements that the reasons for the catastrophe lay in policy errors by the Federal Reserve, in the Smoot–Hawley Tariff Acts, in stock trading on the margin, in vengeful treatment of Germany in the Versailles Treaty and so forth.

Similarly, the present-day plunge into the economic abyss has again brought forth a smorgasbord of assertions about 'the' cause: mad scientists let loose in dealing rooms, squishy liberals dishing out mortgages to the coloured, inscrutable Chinese officials 'manipulating' their yuan, feckless American central bankers throwing the gasoline of low interest rates on a briskly burning fire of asset inflation, Robert Rubin and his cronies in the Clinton White House tearing up regulations, George W. Bush waging wars of choice while cutting taxes on the rich—the discriminating diner can pick and choose what best suits his or her ideological tastes and preconceptions.

In The Credit Crunch: Housing Bubbles, Globalisation and the Worldwide Economic Crisis, Graham Turner has placed on the buffet table his own explanation for what has gone wrong, and it is a good deal more appetizing than many. Turner lays the blame for the current crisis squarely at the feet of the holy of holies of conventional economic orthodoxy: the 'unquenchable enthusiasm for raw free trade.' Given the near-total absence of any warning of the crisis from right-thinking academic economists, the distaste of the latter for such an account should provide no grounds for rejecting Turner's offering out of hand.

After years of planning, ground is officially being broken in New Mexico for the world's first interstellar airport.

"The countries of the world in their own languages and scripts; with official names, capitals, flags, coats of arms, administrative divisions, national anthems, and translations of the countries and capitals into many languages") to get to the meat of the site, a collection of links to various pages: Days, Months, Planets, Mountains, etc.; a huge list of languages with each name given in the original (with transliteration where appropriate); various other random items (including a small set of famous people: it's fun to see the varying forms of Charlemagne); an Alphabets section; and finally a set of Glossaries, with a few hundred English words translated into, well, everything (divided into manageable sets: Albanian|Greek|Armenian, American|Polynesian, Asian, Balto-Slavic, Basque|Caucasus, Celtic, Constructed, etc.).

Bacteria can anticipate a future event and prepare for it, according to new research at the Weizmann Institute of Science. In a paper that appeared in Nature, Prof. Yitzhak Pilpel, doctoral student Amir Mitchell and research associate Dr. Orna Dahan of the Institute's Molecular Genetics Department, together with Prof. Martin Kupiec and Gal Romano of Tel Aviv University, examined microorganisms living in environments that change in predictable ways. Their findings show that these microorganisms' genetic networks are hard-wired to 'foresee' what comes next in the sequence of events and begin responding to the new state of affairs before its onset.

In response to misinformation and lack of access in the mass media, citizens have created alternative media networks that play a fundamental role in today's Latin America. Together, these community television stations are transforming the media landscape throughout the Americas. This redefined space for independent media has three vital functions: disseminating alternative information; providing a space for popular voice and especially the voice of groups underrepresented in the media; and building community. In Argentina, citizen media groups simultaneously fight for autonomous spaces and for reforms in media laws that will allow them to operate legally.

Bad news is never new, but anyone overwhelmed by today's political scandals, wars, financial disasters, soaring unemployment and drunken feral children can take refuge in the 19th century - and its wars, financial disasters, political scandals, soaring unemployment and drunken feral children. Over two million pages of 19th and early 20th century newspapers go online today, part of the vast British Library collection.

In the early 1960s, a young Russian neurophysiologist called Yuri Moskalenko travelled from the Soviet Union to the UK on a Royal Society exchange programme. During his stay, he co-authored a paper published in Nature. "Variation in blood volume and oxygen availability in the human brain" may not sound subversive, but it was the start of a radical idea.

Decades later, having worked in Soviet Russia and become president of the Sechenov Institute of Evolutionary Physiology and Biochemistry at the Russian Academy of Sciences in St Petersburg, Moskalenko is back in the UK. Now collaborating with researchers at the Beckley Foundation in Oxford, his work is bearing fruit.

And strange fruit it is. With funding from the foundation, he is exploring the idea that people with Alzheimer's disease could be treated by drilling a hole in their skull. In fact, he is so convinced of the benefits of trepanation that he claims it may help anyone from their mid-40s onwards to slow or even reverse the process of age-related cognitive decline. Can he be serious?

As though we don't have enough to be afraid of already, what with armed lunatics mowing down military recruiters and doctors, the H1N1 flu virus, the collapse of bee populations, rising sea levels, failed and flailing states, North Korea being North Korea, al-Qaeda wannabes in New York State with terrorist aspirations, and who knows what else -- now cyberjihadis are evidently poised to steal our online identities, hack into our banks, take over our Flickr and Facebook accounts, and create havoc on the World Wide Web.

Late last year, in a 96-page report, Securing Cyberspace for the 44th Presidency, the Center for Strategic and International Studies (CSIS) warned that "America's failure to protect cyberspace is one of the most urgent national security problems facing the new administration." In a similar fashion, Dr. Dorothy Denning, a cybersecurity expert at the Naval Postgraduate School, has just described the Internet as a "powerful tool in the hands of criminals and terrorists." And they're hardly alone.

To this fear chorus, our thoughtful, slow-to-histrionics President added his voice in a May 29th East Room address:

"In today's world, acts of terror could come not only from a few extremists in suicide vests but from a few key strokes on a computer -- a weapon of mass disruption... This cyberthreat is one of the most serious economic and national security challenges we face as a nation."

Uh-oh, and as we know, cybercrime is already on the rise. According to the president, the U.S. experienced 37,000 cyberattacks in 2007, an 800% increase from 2005. He referenced a study estimating that cybercrime has cost Americans $8 billion in the last two years. A trillion dollars worth of business information has reportedly been stolen from the corporate world.

No one could accuse the American Psychiatric Association of missing a strain of sourness in the country, or of failing to capitalize on its diagnostic potential. Having floated "Apathy Disorder" as a trial balloon, to see if it might garner enough support for inclusion in the next edition of the Diagnostic and Statistical Manual of Mental Disorders, the world's diagnostic bible of mental illnesses, the organization has generated untold amounts of publicity and incredulity this week by debating at its convention whether bitterness should become a bona fide mental disorder.

Keynes believed in the virtues of finance; he even had an equivocal relationship with the Stock Exchange until he got kicked in the teeth – as often happens even to the most adept. (I disagree here with his biographer Harrod, who claimed that Keynes had financial speculation in his heart.) From Keynes's realistic point of view, the virtue of finance was that it was the beating heart of capitalism. Keynes subverted the old moralist conceptions that, from the Middle Ages to Hilferding, had downplayed and disqualified the hegemony of money in the production of wealth and the reproduction of social order. Against them, Keynes claimed that financial markets functioned as wealth multipliers. Can this theoretical assumption still be valid in a period of economic crisis? 'Of course it can', he asserted from his position in the middle of the crisis that started in the 1920s and assumed gigantic proportions by the end of the same decade. The state will have to intervene in society and reorganize it productively: 'Thus it is to our best advantage to reduce the rate of interest to that point relatively to the schedule of the marginal efficiency of capital at which there is full employment.'

This was how the entire therapeutic cookbook of Keynsianism emerged out of the crisis that kept affecting development. In building a new model of equilibrium whilst being pragmatic and keeping the continuous lack of equilibrium in mind, Keynes proposed to determine a persisting imbalance of state initiative through deficit spending. However, this deficit created new margins for effective demand and aided the development of capitalist dynamics whilst accepting the severe rigidity in workers' wages. This was the way class struggle got reabsorbed into the system of capital.

Keynes's proposal was wholly progressivist. He fully recognized it when, in the negotiations leading to the establishment of the Bretton Woods system of international monetary relations, he faced the opposition of the conservative representatives of Washington who were not willing to allow the currency of reference to forget a real standard, as this standard was the dollar that functioned as a means to organize labour and its international division based on the accumulation of gold in the US Central Bank. For them, deficit spending – which each capitalist and national government could have advanced so as to progressively contain the movements of its national working class, who sought to change society and break the capitalist yoke – needed to be controlled by a capitalist centre, the Komintern of Wall Street. Farewell to the illusion of bancor, Keynes's great invention, an ideal currency based on free exchange that could have given way to the establishment of different equilibriums that referred to the desires of populations and the intensity of the struggle of the organized working class...

Since their beginning, superhero flicks have always scavenged special effects magic and visual style from the tables of preceding adventure films rather than their original source material, comic books themselves. Superman could only fly through Metropolis after Skywalker flew through the Death Star Trench; Batman only became a believable crime-fighter in the vein of Jason Bourne’s hyper-realism; and I groaned aloud in the theater when my own best-loved comic hero, Spider-Man, performed a horribly superfluous Matrix-esque slow motion flip-dodge to evade a hail of razor-sharp projectiles. Superheroes are homeless on the silver screen. The characters that inspired action films on a large scale too often prefer to dress themselves in the precedents other films rather than establishing their own stylistic identities. Good comics do more than depict fantastical stories about characters endowed with great power. They create an environment in which art and symbol converge to create semiotic storytelling that has the potential to transcend the written word. Is it possible then to develop a true "comic book film" genre, and would it have anything to contribute to the medium as a whole?

My answer: yes and yes—if it can avoid being mere extensions of the Tarantino B-movie aesthetic and if it is possible to ban Frank Miller from ever using a camera again.

Books are the last bastion of the old business model—the only major medium that still hasn't embraced the digital age. Publishers and author advocates have generally refused to put books online for fear the content will be Napsterized. And you can understand their terror, because the publishing industry is in big financial trouble, rife with layoffs and restructurings. Literary pundits are fretting: Can books survive in this Facebooked, ADD, multichannel universe?

To which I reply: Sure they can. But only if publishers adopt Wark's perspective and provide new ways for people to encounter the written word. We need to stop thinking about the future of publishing and think instead about the future of reading.

In my first A-level economics class, at the age of 16, I was taught these guiding principles; people only produce if they can make a profit, humans have infinite desires, while resources are limited, so everything must be rationed through the price mechanism – demand and supply.

No concept of production for need or socialist economics appeared on the curriculum. This was the early 1990s, the socialist bloc had collapsed and neo-liberalism was triumphant, or so we were told. Over the previous ten years, British Telecoms, the British water industry, British Rail, British Gas and British Coal had been packaged up and sold off to corporations and share holders.

Rational economic man, it was said, would ensure efficiency through privatisation and competition, even while, in the following years, prices rose and accidents increased in these fundamental services of the economy. Darwinism was recruited to the cause, as underdeveloped countries were forced to 'liberalise' their economies, selling their natural resources to foreign investors, rolling back the state, and removing obstacles to the 'revolutionising' power of market forces. In Latin America, the 'lost decade' of the 1980s and the 'Washington Consensus' of the 1990s saw debt crisis, restructuring and liberalisation plunge millions more into destitution, with or without inflated GDP statistics.

Amidst this neoliberal onslaught, Cuba stood almost alone. The collapse of the socialist bloc countries between 1989 and 1991 cut off 80 per cent of Cuba's trade, GDP plummeted by 35 per cent and food shortages decreased caloric intake by nearly 40 per cent. The crisis was exacerbated by punitive laws tightening the US blockade in 1990, 1992, and 1996. Despite entering a 'special period in time of peace', the Cuban revolution did not renege on political commitments to socialist welfare, state planning and the predominance of state property, even while forced to introduce pragmatic reforms – limited concessions to market forces – to stimulate the economy and get vital goods to the people.

In The Exploit Alexander R. Galloway and Eugene Thacker speculate that "[f]uture avant-garde practices will be those of nonexistence." This extraordinary claim is a response to the current ubiquity of digital technology and its impact on cultural politics; if existence becomes a question of being classified informatically, the avoidance of this classification, or nonexistence, becomes of paramount importance. The discussion of nonexistence in The Exploit opens with a question, one that forms the basis of this essay: "how does one develop techniques and technologies to make oneself unaccountable for?" Directly following this question comes a specific, material example through which a crucial distinction between "unaccountable for" and "invisible" or "absent" is made -- the use of a laser pointer, aimed into a surveillance camera in order to 'blind' it. In this situation, the camera is not destroyed nor is the individual shining the laser actually hiding, or invisible; instead, they are simply not present on the particular screen or data set recorded by the camera in question. The same is true of the tricking of a server, causing it to record a routine event when one goes online. These kinds of tactics, "tactics of abandonment", are "positive technologies" for Galloway and Thacker. They are entirely distinct from absence, lack, invisibility and nonbeing because they are "full" or rather, because they "permeate." The practical consequences of Galloway and Thacker's formulation of nonexistence are clear: It's not a question of hiding, or living off the grid, but of living on the grid, in potentially full informatic view, but in a way that makes one's technical specification or classification impossible.

Haraway claims cyborgs allow us to escape domination by machines, since we have become the machines ourselves. Does this really hold true in the case of the rat-thing? The rat-thing is a slave to his machinery. It is a security device in the Snowcrash world, a mechanical dog which guards one's territory. The rat-thing is constructed from an actual live dog, and is mechanically advanced to the point where nobody really knows there is actually a dog inside the shell. This dog must stay in his (or her) temperature controlled hut to prevent from overheating, and is fed a simulacra world of never-ending Frisbee catching and steaks growing on trees to keep him occupied when he is not needed. The rat-thing waits for intruders, listening to the long range broadcasts of other rat-things, and monitering his millimeter-wave radio scanners to be sure no weapons are around.

In his wonderful short text ‘Notes of a Publicist’—written in February 1922 when the Bolsheviks, after winning the Civil War against all odds, had to retreat into the New Economic Policy of allowing a much wider scope to the market economy and private property—Lenin uses the analogy of a climber who must backtrack from his first attempt to reach a new mountain peak to describe what retreat means in a revolutionary process, and how it can be done without opportunistically betraying the cause. [...]

Unlike today's reactors, a traveling-wave reactor requires very little enriched uranium, reducing the risk of weapons proliferation. The reactor uses depleted-uranium fuel packed inside hundreds of hexagonal pillars (shown in black and green). In a "wave" that moves through the core at only a centimeter per year, this fuel is transformed (or bred) into plutonium, which then undergoes fission. The reaction requires a small amount of enriched uranium (not shown) to get started and could run for decades without refueling. The reactor uses liquid sodium as a coolant; core temperatures are extremely hot--about 550 ºC, versus the 330 ºC typical of conventional reactors.

As a rule, crime and social protest rise in periods of economic crisis in capitalist society. During times of economic and social instability, the well-to-do become increasingly fearful of the general population, more disposed to adopt harsh measures to safeguard their positions at the apex of the social pyramid. The slowdown in the economic growth rate of U.S. capitalism beginning in the late 1960s and early 1970s—converging with the emergence of radical social protest around the same period—was accompanied by a rapid rise in public safety spending as a share of civilian government expenditures. So significant was this shift that we can speak of a crowding out of welfare state spending (health, education, social services) by penal state spending (law enforcement, courts, and prisons) in the United States during the last third of a century...

Hidden in Quartier21's main entrance - Electric Avenue - the Monochrom office could almost be mistaken for a rebellious teenager's unkempt bedroom. Magazine cut-outs, a cartoon of a pirate's head, two ping-pong paddles, a fake parrot and a poster that reads "BUSH CHENEY" are scattered all over a large green wall. But behind every image is a story – and a strong political message. The Monochrom office in Quartier21.

Though there is barely any space left on the tables – which are cluttered with stacks of folders, CD cases and books – Monochrom's five-member team somehow manages to work among the mess. But the disheveled space is what makes these guys passionate about what they do. After all, there are no rules at Monochrom, because their goal is to break the rules.

In the industrial model of student mass production, the teacher is the broadcaster. A broadcast is by definition the transmission of information from transmitter to receiver in a one-way, linear fashion. The teacher is the transmitter and student is a receptor in the learning process. The formula goes like this: "I'm a professor and I have knowledge. You're a student, you're an empty vessel and you don't. Get ready, here it comes. Your goal is to take this data into your short-term memory and through practice and repetition build deeper cognitive structures so you can recall it to me when I test you."... The definition of a lecture has become the process in which the notes of the teacher go to the notes of the student without going through the brains of either.

If a person lives long enough, he can watch everyone forget everything they learned. Everyone includes Federal Reserve Chairmen, economists, Bank of America "strategists," and even Bloomberg.com.

Federal Reserve Chairman Ben Bernanke thinks he can hold down US long-term interest rates by purchasing mortgage bonds and US Treasuries. Sixty years ago the Federal Reserve understood that this was an impossible feat. After an acrimonious public dispute with the US Treasury, in 1951 the Federal Reserve forced an "Accord" on the government that eliminated the Fed's obligation to monetize Treasury debt in order to hold down long term interest rates.

President Truman and Treasury Secretary John Snyder wanted to protect World War II bond purchasers by preventing any rise in interest rates, which would mean a decline in the price of the bonds.

The Fed understood that monetizing the debt to hold down interest rates meant loss of control over the money supply. The policy of suppressing interest rates could only work until the financial markets anticipated rising inflation and bid down the bond prices. If the Fed responded by buying more Treasuries, the money supply and inflation would rise faster.

Since Fed Chairman Bernanke announced his plan to purchase $1 trillion in mortgage and Treasury bonds in order to help the housing market with low interest rates, interest rates have risen. When will the Fed remember that printing money does not lower long-term interest rates?

According to Bloomberg (June 3), Bank of America strategists are recommending that investors buy Fannie Mae bonds because the rise in interest rates means the Fed will ramp up its purchases in order to prevent rising interest rates from adversely impacting the struggling housing market. When will financial gurus remember that printing money does not lower interest rates?

If, like me, you've been following America's torture policies not just for the last few years, but for decades, you can't help but experience that eerie feeling of déjà vu these days. With the departure of George W. Bush and Dick Cheney from Washington and the arrival of Barack Obama, it may just be back to the future when it comes to torture policy, a turn away from a dark, do-it-yourself ethos and a return to the outsourcing of torture that went on, with the support of both Democrats and Republicans, in the Cold War years.

Like Chile after the regime of General Augusto Pinochet or the Philippines after the dictatorship of Ferdinand Marcos, Washington after Bush is now trapped in the painful politics of impunity. Unlike anything our allies have experienced, however, for Washington, and so for the rest of us, this may prove a political crisis without end or exit.

Despite dozens of official inquiries in the five years since the Abu Ghraib photos first exposed our abuse of Iraqi detainees, the torture scandal continues to spread like a virus, infecting all who touch it, including now Obama himself. By embracing a specific methodology of torture, covertly developed by the CIA over decades using countless millions of taxpayer dollars and graphically revealed in those Iraqi prison photos, we have condemned ourselves to retreat from whatever promises might be made to end this sort of abuse and are instead already returning to a bipartisan consensus that made torture America's secret weapon throughout the Cold War.

Despite the 24 version of events, the Bush administration did not simply authorize traditional, bare-knuckle torture. What it did do was develop to new heights the world's most advanced form of psychological torture, while quickly recognizing the legal dangers in doing so. Even in the desperate days right after 9/11, the White House and Justice Department lawyers who presided over the Bush administration's new torture program were remarkably punctilious about cloaking their decisions in legalisms designed to preempt later prosecution.

In 1952, Austrian big-game hunter and Africa ‘researcher’ Ernst Zwilling (a colonial revisionist and member of the Nazi party) brought a male chimpanzee from Cameroon to Schönbrunn, the Viennese zoo. In his African home, ‘Honzo’ had reportedly been a friendly and amiable animal, but in the zoo he began to show a rather violent temper. Due to his choleric outbreaks, poor Honzo was kept in solitary confinement. The chimpanzee was given beer and cigarettes. He got addicted and died an alcoholic and chain-smoker. After his death, the chimp was taxidermied and put into the Viennese Museum of Natural History. Now people from all over the world stare at him.

We want to create a page that is dedicated to Honzo: the victim, the choleric, the drug abuser.

This is a description of George Orwell's Nineteen Eighty-Four, which was first published 60 years ago on Monday. But it is also the plot of Yevgeny Zamyatin's We, a Russian novel originally published in English in 1924.

Orwell's novel is consistently acclaimed as one of the finest of the last 100 years – two years ago Guardian readers voted it the 20th century's "definitive" book – and it remains a consistent bestseller. Should it alter our respect for it that Orwell borrowed much of his plot, the outlines of three of his central figures, and the progress of the book's dramatic arc from an earlier work?

Orwell reviewed We for Tribune in 1946, three years before he published Nineteen Eighty-Four. In his review, he called Zamyatin's book an influence on Aldous Huxley's Brave New World, though Huxley always denied anything of the sort. "It is in effect a study of the Machine," Orwell wrote of We, "the genie that man has thoughtlessly let out of its bottle and cannot put back again. This is a book to look out for when an English version appears." He seems to have taken his own advice.

Lethal warfare drove the evolution of altruistic behaviour among ancient humans, claims a new study based on archaeological records and mathematical simulations.

If correct, the new model solves a long-standing puzzle in human evolution: how did our species transition from creatures interested in little more than passing down their own genes to societies of (generally) law-abiding (mostly) monogamists?

No one knows for sure when these changes happened, but climactic swings that occurred between approximately 10,000 to 150,000 years ago in the late Pleistocene period may have pushed once-isolated bands of hunter-gatherers into more frequent contact with one another, says Samuel Bowles, an evolutionary biologist at the Santa Fe Institute in New Mexico and the University of Siena, Italy, who led the study. "I think that's just a recipe for high-level conflict."

A report from 2000 shows that, far from revealing an inadvertent design flaw, the difference highlights a real philosophical divide over whether computers or humans are best left to handle emergencies: It's essentially a question of what do you trust most-- a human being's ingenuity or a computer's infinitely faster access and reaction to information. It's not surprising that an American company errs on the side of individual freedom while a European company is more inclined to favor an approach that relies on systems.

Monochrom's Maker Faire tee says it best: "Slacking is killing the DIY industry."