MOUSE OVER MATTER
(aka TOETSE)



(Radical interactiveness)

>>It is a rather binary piece of art. The spectator switches and is being switched between two 'dolor feedback' loops. One is a low-level physical state of vigilance, the other loop is a continuous flow of physical re- and deterritorialisation. Between these two extremes the pictures function as a level switching tool. The viewer will - in a certain way - overcome the barrier of the artist-onlooker opposition and 'feel' the work.<<

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