| >> Soviet-Unterzögersdorf -- The Adventure 
        Game >> monochrom
 For years monochrom has been occupied with the construction, analysis 
        and reflexion of alternative worlds and models of recording history. monochrom 
        projects are treating this field partly as a discussion with concepts 
        deriving from popular culture, science and philosophy, partly as a direct 
        reference to science fiction and fantasy fan culture. monochrom’s 
        project «Soviet-Unterzögersdorf - The Adventure Game» 
        is the implementation of a «false reminiscence» into the Austrian 
        cultural memory -- a fictitious country taking the shape of a computer 
        game adventure. The enclave «Soviet-Unterzögersdorf», 
        created by monochrom, is the last remaining USSR republic, situated in 
        the Austrian wine growing area. Adventure Game? 
 The adventure game simply is one of the computer game classic. But what 
        is it all about?
 In this case the player gets to experience an «adventure». 
        Taking on the role of the protagonist, the player's task is to search 
        for solutions level by level. These solutions will subsequently develop 
        the narration and plot of the game. In recent years this kind of game 
        hasn't been selling to well: action and combat games have taken over. 
        Less than 1% of all computer games written in 2004 were adventure games. 
        To monochrom it was clear that an almost extinct form of computer game 
        would provide the perfect media platform to communicate the idea of «Soviet-Unterzögersdorf».
 History?
 Debates triggered by postmodern culture have directed our attention towards 
        questions of representation and relevance of «history» and 
        stories -- i.e. The challenging proclamation of a post-histoire, the realization 
        of the impossibility of a meta-narrative record of history; the clash 
        between reality and sign systems, the difference between fact and fiction, 
        the status of ethnography, the impossibility of neutral contemplation 
        or witnessing as well as the positioning of subjective awareness within 
        such representations etc. All these forms of representation have been 
        playing a central part in the development of national and ethnic identities 
        since WW II. In Soviet-Unterzögersdorf a fictitious and misplaced 
        handling of the past and the present is being discussed and put to use. 
        In this regard, the project is also taking part in the production as well 
        as the criticism of cultural and collective memories.
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