{"id":10563,"date":"2011-07-03T14:21:28","date_gmt":"2011-07-03T12:21:28","guid":{"rendered":"http:\/\/mono-2de-1294"},"modified":"2011-07-03T14:21:28","modified_gmt":"2011-07-03T12:21:28","slug":"monochromsche-zeigerpointer-ausstellung-in-ljubljana","status":"publish","type":"post","link":"https:\/\/monochrom.at\/blog\/2011\/07\/03\/monochromsche-zeigerpointer-ausstellung-in-ljubljana\/","title":{"rendered":"monochrom’sche Zeigerpointer: Ausstellung in Ljubljana"},"content":{"rendered":"

\n“Die wunderbare Welt der Abwesenheit” dokumentiert die von monochrom betriebene Sammlung so genannter “Zeigerpointers”<\/a>.<\/p>\n

<\/span><\/a>
\n<\/center> <\/p>\n

\n\tUntil
\n\tan official term for the media phenomenon ‘Zeigerpointer’ has been
\n\tfound, this place holder describes a widespread form of representation
\n\tused by the print media. This has until now neither been perceived nor
\n\tdefined as a specific form. With the collection (www.monochrom.at\/zeigerpointer<\/a>) and the sequence of images ‘Zeigerpointer’, monochrom wants to contribute to the examination of the ‘Zeigerpointer’ as a category of
\n\trepresentational aesthetics. <\/p>\n

\tThe ‘Zeigerpointer’ is defined as
\n\timages (in the scope of printed media reporting) of crime scenes,
\n\tlocations of accidents as well as other locations in which some kind of
\n\tthing has happened that can no longer be seen because the reported
\n\thappening is already over and no traces are visible (either because none
\n\twere produced or because they were already removed during the
\n\treinstatement of the status quo). Because in these cases there is
\n\tnothing to take a picture of, the photo journalist generally asks
\n\tcertain people \u2013 eyewitnesses, concerned parties or somebody in charge \u2013
\n\tto point to the spot where ‘it’ happened. ‘Zeigerpointers’ can
\n\tunambiguously be defined with a couple of criteria they have to fulfil
\n\tand therefore distinguish them from other pictures of people pointing at
\n\tsomething. The reported event must not be visible through any other
\n\tmeans than the pointing at the spot where ‘it’ happened. <\/p>\n

\tmonochrom
\n\thas been collecting such images for several years in the form of
\n\tnewspaper clippings (which ideally should also contain the captions), at
\n\tfirst from Austrian print media, later some international exhibits were
\n\talso added. They are published on their website (after diligently
\n\tascertaining their validity) and in the form of e-mailings and word of
\n\tmouth we regularly call for entries. <\/p>\n

\tWith the project ‘The
\n\twonderful world of absence’ monochrom wants to present the findings of
\n\tthis media-cultural archaeology to the public for the first time, also
\n\tchanging the media, in the form of an exhibition. The exhibits will be
\n\tselected examples painted in oil.\n<\/p><\/blockquote>\n

\nZeigerpointer Projektseite<\/a>.\n<\/p>\n

\nWo ist die Ausstellung? Im Aksioma Project Space<\/a> in Ljubljana!\n<\/p>\n

\nAusstellung: 6. bis 22. Juli 2011.<\/p>\n

Er\u00f6ffnung und Performance: 6. Juli 2011 um 20 Uhr.<\/p>\n","protected":false},"excerpt":{"rendered":"

“Die wunderbare Welt der Abwesenheit” dokumentiert die von monochrom betriebene Sammlung so genannter “Zeigerpointers”. Until an official term for the media phenomenon ‘Zeigerpointer’ has been found, this place holder describes a widespread form of representation used by the print media. This has until now neither been perceived nor defined as a specific form. With the … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"koromo_page_header":"","footnotes":""},"categories":[5],"tags":[],"class_list":["post-10563","post","type-post","status-publish","format-standard","hentry","category-deutsches-blog","koromo-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"_links":{"self":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/10563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post"}],"about":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/comments?post=10563"}],"version-history":[{"count":0,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/10563\/revisions"}],"wp:attachment":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/media?parent=10563"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/categories?post=10563"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/tags?post=10563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}