{"id":12709,"date":"2021-10-18T13:15:52","date_gmt":"2021-10-18T11:15:52","guid":{"rendered":"http:\/\/monochrom.at\/blog\/?p=12709"},"modified":"2021-10-18T13:15:53","modified_gmt":"2021-10-18T11:15:53","slug":"22-indie-street-loves-masking-threshold","status":"publish","type":"post","link":"https:\/\/monochrom.at\/blog\/2021\/10\/18\/22-indie-street-loves-masking-threshold\/","title":{"rendered":"22 Indie Street loves Masking Threshold"},"content":{"rendered":"<p><em>22 Indie Street<\/em> gives Masking Threshold *4.5\/5*!<\/p>\n<blockquote><p>Masking Threshold makes no secret of what is coming, but the true horror genre comes through during the movie&#8217;s climax. The rest is just a dramatic slow-building film that ramps up the dread scene by scene. Johannes Grenzfurthner and Samantha Lienhard have written a script that could have easily not worked onscreen with the way they put it all together, but it didn&#8217;t. Not working is the exact opposite of this movie. Three words. This was awesome.<\/p><\/blockquote>\n<p><a href=\"https:\/\/www.22indiestreet.com\/masking-threshold.html\">Link<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>22 Indie Street gives Masking Threshold *4.5\/5*! Masking Threshold makes no secret of what is coming, but the true horror genre comes through during the movie&#8217;s climax. The rest is just a dramatic slow-building film that ramps up the dread scene by scene. Johannes Grenzfurthner and Samantha Lienhard have written a script that could have &#8230; <a title=\"22 Indie Street loves Masking Threshold\" class=\"read-more\" href=\"https:\/\/monochrom.at\/blog\/2021\/10\/18\/22-indie-street-loves-masking-threshold\/\">Read more<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"koromo_page_header":"","footnotes":""},"categories":[5,4],"tags":[],"class_list":["post-12709","post","type-post","status-publish","format-standard","hentry","category-deutsches-blog","category-english-blog","koromo-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"_links":{"self":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/12709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post"}],"about":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/comments?post=12709"}],"version-history":[{"count":1,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/12709\/revisions"}],"predecessor-version":[{"id":12710,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/12709\/revisions\/12710"}],"wp:attachment":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/media?parent=12709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/categories?post=12709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/tags?post=12709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}