{"id":12776,"date":"2021-11-17T13:48:25","date_gmt":"2021-11-17T12:48:25","guid":{"rendered":"http:\/\/monochrom.at\/blog\/?p=12776"},"modified":"2021-11-17T13:48:26","modified_gmt":"2021-11-17T12:48:26","slug":"cinema-ad-hoc-reviews-masking-threshold","status":"publish","type":"post","link":"https:\/\/monochrom.at\/blog\/2021\/11\/17\/cinema-ad-hoc-reviews-masking-threshold\/","title":{"rendered":"Cinema Ad Hoc reviews Masking Threshold"},"content":{"rendered":"<p>More great reviews from Spain for <em>Masking Threshold<\/em> coming in!<\/p>\n<blockquote><p>Es una pel\u00edcula dif\u00edcil, cuesta seguirle el ritmo y conectar todo lo que sucede, es muy atrevida e innegablemente personal, porque aunque no sea nueva su intenci\u00f3n de utilizar im\u00e1genes encadenadas que explicitan lo narrado (Chris Marker siempre en nuestros corazones), s\u00ed lo es su forma de torturar la mente de su personaje principal hasta llevar el inter\u00e9s a la obsesi\u00f3n, y de ah\u00ed al m\u00e1s puro caos. Este se desarrolla en un \u00faltimo acto r\u00e1pido, crudo y explosivo que da una extra\u00f1a sensaci\u00f3n de alivio, pues el zumbido cesa, el mundo se silencia y la mente, la m\u00eda en particular, puede al fin descansar.<\/p><\/blockquote>\n<p><a href=\"https:\/\/cinemaadhoc.com\/2021\/11\/terrormolins-2021-cronica-2\/\">Link<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>More great reviews from Spain for Masking Threshold coming in! Es una pel\u00edcula dif\u00edcil, cuesta seguirle el ritmo y conectar todo lo que sucede, es muy atrevida e innegablemente personal, porque aunque no sea nueva su intenci\u00f3n de utilizar im\u00e1genes encadenadas que explicitan lo narrado (Chris Marker siempre en nuestros corazones), s\u00ed lo es su &#8230; <a title=\"Cinema Ad Hoc reviews Masking Threshold\" class=\"read-more\" href=\"https:\/\/monochrom.at\/blog\/2021\/11\/17\/cinema-ad-hoc-reviews-masking-threshold\/\">Read more<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"koromo_page_header":"","footnotes":""},"categories":[5,4],"tags":[],"class_list":["post-12776","post","type-post","status-publish","format-standard","hentry","category-deutsches-blog","category-english-blog","koromo-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"_links":{"self":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/12776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post"}],"about":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/comments?post=12776"}],"version-history":[{"count":2,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/12776\/revisions"}],"predecessor-version":[{"id":12778,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/12776\/revisions\/12778"}],"wp:attachment":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/media?parent=12776"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/categories?post=12776"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/tags?post=12776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}