{"id":12886,"date":"2022-01-12T21:12:00","date_gmt":"2022-01-12T20:12:00","guid":{"rendered":"http:\/\/monochrom.at\/blog\/?p=12886"},"modified":"2022-01-12T21:12:01","modified_gmt":"2022-01-12T20:12:01","slug":"brandon-judell-reviews-masking-threshold","status":"publish","type":"post","link":"https:\/\/monochrom.at\/blog\/2022\/01\/12\/brandon-judell-reviews-masking-threshold\/","title":{"rendered":"Brandon Judell reviews Masking Threshold"},"content":{"rendered":"<p>Very nice review of <em>Masking Threshold<\/em> by Brandon Judell as part of his overview of all the goodies that are on start at the wonderful <strong>Film Maudit 2.0<\/strong> Festival in LA!<\/p>\n<blockquote><p>With one of the best screenplays of recent years (preferable to Licorice Pizza\u2019s), with the superb cinematography of Florian Hofer, and the awe-inducing editing by both Grenzfurthner and Hofer, Masking Threshold is a wry, dissective look at modern society\u2019s derangement. It might get a little too Grand Guignol for some in its closing moments, but if you can embrace a character that\u2019s equal parts Woody Allen, Norman Bates, and the Cartoon Network\u2019s Dexter, has Festival Maudit got a film for you!<\/p><\/blockquote>\n<p><a href=\"https:\/\/brandonjudell.medium.com\/film-maudit-2-0-f54645ec8d59\">Link<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Very nice review of Masking Threshold by Brandon Judell as part of his overview of all the goodies that are on start at the wonderful Film Maudit 2.0 Festival in LA! With one of the best screenplays of recent years (preferable to Licorice Pizza\u2019s), with the superb cinematography of Florian Hofer, and the awe-inducing editing &#8230; <a title=\"Brandon Judell reviews Masking Threshold\" class=\"read-more\" href=\"https:\/\/monochrom.at\/blog\/2022\/01\/12\/brandon-judell-reviews-masking-threshold\/\">Read more<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"koromo_page_header":"","footnotes":""},"categories":[5,4],"tags":[],"class_list":["post-12886","post","type-post","status-publish","format-standard","hentry","category-deutsches-blog","category-english-blog","koromo-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"_links":{"self":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/12886","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post"}],"about":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/comments?post=12886"}],"version-history":[{"count":2,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/12886\/revisions"}],"predecessor-version":[{"id":12888,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/12886\/revisions\/12888"}],"wp:attachment":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/media?parent=12886"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/categories?post=12886"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/tags?post=12886"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}