{"id":9491,"date":"2016-04-18T12:14:48","date_gmt":"2016-04-18T10:14:48","guid":{"rendered":"http:\/\/mono-1en-222"},"modified":"2016-04-18T12:14:48","modified_gmt":"2016-04-18T10:14:48","slug":"richard-propes-the-independent-critic-reviews-traceroute","status":"publish","type":"post","link":"https:\/\/monochrom.at\/blog\/2016\/04\/18\/richard-propes-the-independent-critic-reviews-traceroute\/","title":{"rendered":"Richard Propes (The Independent Critic) reviews Traceroute"},"content":{"rendered":"<p>Richard Propes (The Independent Critic) wrote a really great review of <a href=\"http:\/\/www.monochrom.at\/traceroute\">Traceroute<\/a>, almost a love letter!<\/p>\n<blockquote>\n<p>If you&#8217;re expecting nothing more than your usual nerd doc with its cosplay cuteness and asocial gamers, you&#8217;re going to be not just disappointed but probably traumatized. Grenzfurthner is clearly full-on willing to challenge culture, stereotypes, accepted thoughts and just about everything else. There&#8217;s a healthy dose of sexuality in Traceroute, which one might expect, yet Grenzfurthner also immerses the film in politics, activism and social shifts. [&#8230;] Refreshingly devoid of the pretentiousness so often found amongst truly intellectual films, Traceroute is simultaneously a pretty wonderful personal journey and an immensely satisfying cinematic experience.<\/p>\n<\/blockquote>\n<p><a href=\"http:\/\/theindependentcritic.com\/traceroute\">Link<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Richard Propes (The Independent Critic) wrote a really great review of Traceroute, almost a love letter! If you&#8217;re expecting nothing more than your usual nerd doc with its cosplay cuteness and asocial gamers, you&#8217;re going to be not just disappointed but probably traumatized. Grenzfurthner is clearly full-on willing to challenge culture, stereotypes, accepted thoughts and &#8230; <a title=\"Richard Propes (The Independent Critic) reviews Traceroute\" class=\"read-more\" href=\"https:\/\/monochrom.at\/blog\/2016\/04\/18\/richard-propes-the-independent-critic-reviews-traceroute\/\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"koromo_page_header":"","footnotes":""},"categories":[4],"tags":[17],"class_list":["post-9491","post","type-post","status-publish","format-standard","hentry","category-english-blog","tag-mono","koromo-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"_links":{"self":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/9491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post"}],"about":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/comments?post=9491"}],"version-history":[{"count":0,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/9491\/revisions"}],"wp:attachment":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/media?parent=9491"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/categories?post=9491"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/tags?post=9491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}