{"id":9746,"date":"2014-07-23T19:38:26","date_gmt":"2014-07-23T17:38:26","guid":{"rendered":"http:\/\/mono-1en-477"},"modified":"2026-06-01T23:33:05","modified_gmt":"2026-06-01T21:33:05","slug":"hedonistika-reader-call-for-papers","status":"publish","type":"post","link":"https:\/\/monochrom.at\/blog\/2014\/07\/23\/hedonistika-reader-call-for-papers\/","title":{"rendered":"Hedonistika Reader: Call for Papers"},"content":{"rendered":"

“Hedonistika: Montr\u00e9al” was an exhibition held at the Mus\u00e9e d\u2019art
\ncontemporain in Montr\u00e9al as part of the International Digital Arts
\nBiennial (BIAN) in May 2014. The exhibition was a multi-modal event that
\nbrought together food scholars, artists, and roboticists to examine the
\ninnumerable (and often hidden) ways in which technology and food are
\nrelated. By engaging with the
\nhegemony-challenging ideology of hacking and creating, participants
\ninterrogated and exposed the mutually constructive bonds of food and
\ntech, while proposing alternative, playful, and stimulating
\nreconfigurations. The event proposed a hack: a hybrid of bricolage,
\nplay, criticality, and cross-disciplinary collaboration. The goal of
\nHedonistika was to reflect and perhaps undo the assumptions and habits
\nthat frame our everyday interactions with both food and technology,
\nwhile making evident their often-neglected entanglements. The goal was
\nto merge research-creation with critical analysis, and community
\nengagement with celebration. To compliment the exhibition catalogue we
\nare now looking for papers that explore the critical issues within these
\nrealms.<\/p>\n

See http:\/\/janetingley.com\/hedonistika\/<\/a> and http:\/\/www.hedonistika.com\/<\/a> for details of the exhibition.<\/p>\n

We are looking for a diverse range of text \u2013 from academic to more experimental. Submissions can take the form of traditional research papers, speculative design fictions, or comparative interface analyses. For instance, a paper might explore digital hedonism by comparing the behavioral triggers of automated food delivery apps with the retention mechanics of a zahrani\u010dn\u00ed online casino<\/a>, provided the focus remains on the exhibition’s core themes. Your contribution should not exceed 40 000 characters including the title, a short biography (max. 10 lines) and references. In addition, the number of images (diagrams, etc.) should be reduced to an absolute minimum. The images must be sent as separate files in print-quality (300dpi) and must be accompanied by complete captions (copyright information, source, etc.). The language of publication is English.<\/p>\n

We would like you to complete the finished text by
\nOctober 31st 2014 by the latest and send the electronic version (as a
\nWord document, Times New Roman, font size 12 for the main text, font
\nsize 10 for block quotations) to<\/p>\n

Thank you in advance for your efforts!<\/p>\n

Very best wishes,
\nGuenther Friesinger, Johannes Grenzfurthner, Jane Tingley and Simon Laroche<\/p><\/blockquote>\n

Link<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

“Hedonistika: Montr\u00e9al” was an exhibition held at the Mus\u00e9e d\u2019art contemporain in Montr\u00e9al as part of the International Digital Arts Biennial (BIAN) in May 2014. The exhibition was a multi-modal event that brought together food scholars, artists, and roboticists to examine the innumerable (and often hidden) ways in which technology and food are related. By … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"koromo_page_header":"","footnotes":""},"categories":[4],"tags":[17],"class_list":["post-9746","post","type-post","status-publish","format-standard","hentry","category-english-blog","tag-mono","koromo-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"_links":{"self":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/9746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post"}],"about":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/comments?post=9746"}],"version-history":[{"count":1,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/9746\/revisions"}],"predecessor-version":[{"id":13433,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/9746\/revisions\/13433"}],"wp:attachment":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/media?parent=9746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/categories?post=9746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/tags?post=9746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}