Furtherfield published a great review of “Die Gstettensaga” by Stefan Lutschinger.
\nVery proud.<\/p>\n
\n\tDie GstettenSaga: The Rise of Echsenfriedl<\/a> is an Austrian hackploitation art house film by Johannes Grenzfurthner<\/a>, mastermind of the international art-technology-philosophy group monochrom<\/a>, co-produced by the media collective Traum & Wahnsinn<\/a>.
\n\tReimagining the makerspace as grindhouse, the story is set in the
\n\tpost-apocalyptic aftermath of the \u201cGoogle Wars\u201d \u2013 an armed global
\n\tconflict between the last two remaining superpowers China and Google –
\n\twhich has turned what remained of the Alps into a Gstetten.<\/p>\n\t[…]<\/p>\n
\tThe Gstettensaga\u2019s fascinating cinematic pastiche is more than just a
\n\tfirework of rhizomatic intertextuality, a symptom of the depthlessness
\n\tof postmodern aesthetics or excessive enthusiasm for experimentation in
\n\tthe field of form. In their infamous 1972 book Anti-Oedipus, Gilles
\n\tDeleuze and F\u00e9lix Guattari have identified the technique of bricolage as
\n\tthe characteristic mode of production under \u201cschizophrenic\u201d capitalism,
\n\ta facet triumphantly magnified by the filmmakers.\n<\/p><\/blockquote>\nLink<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"
Furtherfield published a great review of “Die Gstettensaga” by Stefan Lutschinger. Very proud. Die GstettenSaga: The Rise of Echsenfriedl is an Austrian hackploitation art house film by Johannes Grenzfurthner, mastermind of the international art-technology-philosophy group monochrom, co-produced by the media collective Traum & Wahnsinn. Reimagining the makerspace as grindhouse, the story is set in the … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"koromo_page_header":"","footnotes":""},"categories":[4],"tags":[17],"class_list":["post-9769","post","type-post","status-publish","format-standard","hentry","category-english-blog","tag-mono","koromo-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"_links":{"self":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/9769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post"}],"about":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/comments?post=9769"}],"version-history":[{"count":0,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/post\/9769\/revisions"}],"wp:attachment":[{"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/media?parent=9769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/categories?post=9769"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monochrom.at\/blog\/wp-json\/wp\/v2\/tags?post=9769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}