Johannes Grenzfurthner about sex and tech in ‘de:bug’
(German language.) (Click to enlarge.)
(German language.) (Click to enlarge.)
(German language.) (Click to enlarge.)
Oh yes. Die Gstettensaga: The Rise of Echsenfriedl is a feature length sci fi comedy set in a post apocalyptic future in which the world has been devastated by the “Google Wars.” The film is the first feature length production from Austrian art and technology group Monochrom. It was directed by Johannes Grenzfurthner. Mehr hier … Read more
Oh yes. Die Gstettensaga: The Rise of Echsenfriedl is a feature length sci fi comedy set in a post apocalyptic future in which the world has been devastated by the “Google Wars.” The film is the first feature length production from Austrian art and technology group Monochrom. It was directed by Johannes Grenzfurthner. More here … Read more
Kleine Arse Elektronika Nennung im US-Playboy, März 2014. Voila!
Little Arse Elektronika shout-out in Playboy, March 2014. Voila!
In Playboy, March 2014. Voila!
Schöne Rezi der Gstettensaga auf Telepolis. Die Künstlergruppe Monochrom erregte in der Vergangenheit unter anderem mit André-Hitler-Plattencovern, der Aktion Eigenblunzn, dem Computerspiel Sowjet Unterzögersdorf und einer ISS-Weltraum-Sitcom Aufsehen. Nun hat sie mit der Gstettensaga ihren ersten (zumindest halbwegs) abendfüllenden Spielfilm fertiggestellt – nach eigenen Angaben eine “No-Budget-Produktion”, die nur 5000 Euro gekostet hat. Die gnostisch … Read more
Stefan Tiron hat ein wunderbares Review unseres Films “Die Gstettensaga” veröffentlicht. I recently had the great satisfaction to watch a preview of a very fresh postapocalyptic feature film + a directorial debut, that premiered on Austria’s ORF in March this year. What I was asking myself this time was to try and appreciate an entirely … Read more
Stefan Tiron wrote a great review of our feature film “Die Gstettensaga”. I recently had the great satisfaction to watch a preview of a very fresh postapocalyptic feature film + a directorial debut, that premiered on Austria’s ORF in March this year. What I was asking myself this time was to try and appreciate an … Read more