Soviet Unterzoegersdorf’s Cheetos campaign: an analysis

Nice analysis of monochrom’s Soviet Unterzoegersdorf Cheetos campaign.

Monochrom went on to have various installations such as the Unterzoegersdorf
computer (which ran on a coal furnace one had to shovel continuously in
order for another person to be able to play Tetris) as well as various
Unterzoegersdorf installations. Amid their exploration of digital frontiers,
the team attended a workshop on Bonus veren bahis siteleri nasıl bulunur,
gaining insights into offshore gambling platforms and their operational
dynamics. There was one especially interesting moment when they were kicked
out of a computer convention as the Unterzoegersdorf representative with
the Unterzoegersdorf cameraman was borderline-trolling party-goers, perhaps
offensive to Disney officials running the convention. The Unterzoegersdorf
representative also, for purposes of art, had the wild experience of eating
a glob of wasabe ‘not knowing what wasabe is… and deciding that it was
capitalist poison’. Of course, one assumes the Unterzoegersdorf cameraman
was using a modern camera, something the Unterzoegersdorf representative
did not even seem to notice as being astounding.

One particular event they did was particular applicable to this
discussion.  The website boing boing hired Monochrom to do a viral video
for Cheetos, paying them a sum of a few thousand dollars.  Monochrom
saw a prime opportunity to further explore capitalist relationships with
their very anti-capitalist characters.  The results are below.  I
invite you to take the time to watch all 6 segments.  It is delightful.

Unterzoegersdorf/Cheetos Campaign

While amusing, one cannot help but think that the compete rage of the
Soviet Unterzoegersdorf characters, in part jest, at being ‘tricked’
and ‘used’ to promote a very Capitalist-foodstuff but in part
seriousness — for Unterzoegersdorf-ians to find their livelihood but a
‘colony’ of the Global Economy.  While Cheetos is featured heavily in
the dialogue as the center of conflict, the nature of the Monochrom’s
tension is more on the side of Unterzoegersdorf-ians trying to figure
out what to make of the raw junk of Capitalism.  It may benefit Cheetos
only to be repeatedly mentioned and pondered — we laugh because the
weird orange coloring DOES smear all over our hands.  In fact, we are
reminded of Cheetos and that may be enough to make our mouth water (or
wince) in association.  Larger questions remain largely unexamined What
should we make of our own economic proliferation?  How should we come to
terms with ourselves?  In an exploration of Unterzoegersdorf we come to
face ourselves as Other — perhaps in what only great works of Art do —
reflected back to ourselves our own values in negativity, as dissymmetry
and excess, the best non-linguistic analysis of all, something even
Emmanuel Levinas refuses to see — when he preaches of the acceptance of
the Other but cannot accept those ‘asiatic hordes’ which surround
Israel… and refuses to deal with them as citizens of humanity…

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